My Life as a Moth turned post-punk into a shadow-drenched rite of sonic intoxication in Hyenas

Fans of PINS, Portishead, She Drew the Gun, Lydia Lunch, and PJ Harvey will instantly be arrested by the cinematically spectral force behind the moniker, My Life as a Moth. In her latest single, Hyenas, the priestess of post-punk turns tempo into a sonic tease, poetry into a spiritual confession booth, and vocals into an alchemic elixir capable of instant intoxication. There’s no hangover when the track ends, only the compulsion to dig deeper into her darkly avant-garde discography. Through syncopated beats and an atmospherically moody signature sound, she demonstrates how to deliver luxuriant release through shadowed, trip-hopped catharsis. Every beat lands like a ritual drum, and each breathy murmur swells into a beckoning, inviting listeners to succumb to the sacred thrill of discomfort. Hyenas strips back the ornamental and plunges straight into gothic machinations that chew up and spit out pastiche, replacing hollow gestures with visceral sensation. The sharp wit and originality embedded in her artistic DNA have already secured attention from BBC Radio Wales, Absolute Radio, and Clout, but Hyenas is the track that will truly fixate those attuned to the pulse of alternative music’s darker undercurrent. Renowned for her striking vocal delivery and ability to disturb the […]

The post My Life as a Moth turned post-punk into a shadow-drenched rite of sonic intoxication in Hyenas appeared first on A&R Factory.