If you’ve ever wondered what it sounds like when persistence shapes poetry, Toro...
This week, we have Part 1 of 2 Noble Records Exclusives shows. Noble Records is ...
Glass House Point took the semantic weight of longing and rebirthed it in a tran...
The closures aren’t coming slowly. They’re swallowing cultural heritage and gras...
Zenari didn’t hold back when penning Silhouette. The Boulder-based indie rock ou...
For My Sunday Song #432, we are going for pure fun and a love for 80’s rock with...
We Are All So Glad To Be Alive by Spyndycyt renders celestial light into philoso...
If you’re searching for hip-hop cuts that scintillate the soul, look no further ...
RAGE IS A RITUAL by Mimi Satanistá is a caustic cut above the rest of the plasti...
Witch of the East needs few introductions these days; she’s prolific in her miss...
White Noise by Hamilton Hound is far from what it says on the titular tin. The g...
G.M.F.U by ASHERAMAR, featuring onyx, dropped on April 22nd like a dubstep atom ...
Welcome back to Friday New Releases and we got another handful for you this week...
XIANNE-XI proved that electronica doesn’t need to pander to passivity with In th...
TWO TONNE MACHETE have palpably perfected the art of tempering scuzz with melody...
Francesca Pichierri crafted Nel Dolore Cerca La as a requiem for what could have...
Skittish nestled into a niche between indie rock urgency and alt-pop accessibili...
Sun-Pinned Leaves poured decades of soul, grit, and sonic evolution into their l...
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